Documentary AreaSimply the best Documentaries

The sixth and last episode of the series follows photographer Art Wolfe as he documents the world's cultures, including the Surma of Ethiopia and the masked mud men and Huli clans of Papua, New Guinea.

Syria Civil Defense (SCD), also known as the White Helmets, is a volunteer civil defense organization that operates in rebel-controlled Syria during the Syrian Civil War as a response to indiscriminate bombardment of civilian communities. This group of indomitable first responders risk their lives to rescue victims from the rubble.

Professor Robert Bartlett explores the impact of the Normans on southern Europe and the Middle East. The Normans spread south in the 11th century, winning control of southern Italy and the island of Sicily. There they created their most prosperous kingdom, where Christianity and Islam co-existed in relative harmony and mutual tolerance. It became a great centre of medieval culture and learning. But events in the Middle East provoked the more aggressive side of the Norman character. In 1095, the Normans enthusiastically answered the Pope's call for holy war against Islam and joined the first crusade. They lay siege to Jerusalem and eventually helped win back the holy city from the muslims. This bloody conquest left a deep rift between Christianity and Islam which is still being felt to this day.

Mathematician Dr Hannah Fry explores the mystery of maths. It underpins so much of our modern world that it's hard to imagine life without its technological advances, but where exactly does maths come from? Is it invented like a language or is it something discovered and part of the fabric of the universe? It's a question that some of the most eminent mathematical minds have been wrestling with. To investigate this question, Hannah goes head first down the fastest zip wire in the world to learn more about Newton's law of gravity, she paraglides to understand where the theory of maths and its practice application collide, and she travels to infinity and beyond to discover that some infinities are bigger than others.
In this episode, Hannah goes back to the time of the ancient Greeks to find out why they were so fascinated by the connection between beautiful music and maths. The patterns our ancestors found in music are all around us, from the way a sunflower stores its seeds to the number of petals in a flower. Even the shapes of some of the smallest structures in nature, such as viruses, seem to follow the rules of maths. All strong evidence for maths being discovered. But there are those who claim maths is all in our heads and something we invented. To find out if this is true, Hannah has her brain scanned. It turns out there is a place in all our brains where we do maths, but that doesn't prove its invented.
Experiments with infants, who have never had a maths lesson in their lives, suggests we all come hardwired to do maths. Far from being a creation of the human mind, this is evidence for maths being something we discover. Then along comes the invention of zero to help make counting more convenient and the creation of imaginary numbers, and the balance is tilted in the direction of maths being something we invented. The question of whether maths is invented or discovered just got a whole lot more difficult to answer

Are the wealthy just born in the right place at the right time? Are the poor victims of a system designed to keep them down? Or do physics and biology determine who is rich and who is poor? Throughout history, distribution of wealth is governed by hidden forces: DNA, environmental stress, patterns of human migration and even the laws of thermodynamics! Nature seems to demand winners and losers in life. But does this mean greed is king, and the rich can take what they want? Or is cooperation – between microorganisms, monkeys, and humans – more essential to survival of a species?

Salvador Dali's strange crucifixion is often called the greatest religious painting of the 20th century. Yet its artist was a notorious blasphemer some of whose work had outraged the Catholic Church. The Christ of St John of the Cross by Salvador Dali is the first of two extraordinary crucifixions painted by Dali in the early 1950s. The painting is based on a 'cosmic dream' Dali is said to have had, in which the nucleus of the atom was a figure of Christ himself.
The painting offers a surrealist view of the crucifixion of Christ, and is based on a drawing by the 16th century Spanish friar Saint John of the Cross. But Dali's vision was somewhat unique, using an unusual artistic perspective in which Christ is seen from above. His Christ of St. John of The Cross was inspired by a weird mix of Spanish mysticism and nuclear physics, with his Christ being modelled by a Hollywood stuntman. It's also a masterpiece of painting technique.