Documentary AreaSimply the best Documentaries

Once they were dreaded and thought to be dragons eating the sun--but modern science has dispelled mythology and we now look forward to total Solar Eclipses as one of the most spectacular phenomena in the heavens. Explore the complex movements of Earth, Moon and Sun that produce these unusual events and hear details why we may be the only intelligent beings in the known Universe to witness eclipses like we see on Earth. Man-made eclipses also figure into the science in the form of instruments called "coronagraphs." They blot out the sun and reveal its corona, uncovering secrets which, while enlightening, also warn of a disaster that could make our advanced technology crash and burn. Finally, travel into deep space, where the tiny eclipses caused by planets circling distant stars is now beginning to reveal hundreds more stars where "exoplanets" exist... perhaps even those in habitable zones like the Earth.

Where did we come from? What makes us human? Groundbreaking investigation explores how new discoveries are transforming views of our earliest ancestors. Featuring interviews with world-renowned scientists, footage shot in the trenches as fossils were unearthed, and stunning computer-generated animation, Becoming Human brings early hominids to life, examining how they lived and how we became the creative and adaptable modern humans of today. In the first episode Selam, the amazingly complete remains of a 3 million year-old child, packed with clues to why we split from the apes, came down from the trees, and started walking upright.

Andrew Graham-Dixon begins his exploration of German art by looking at the rich and often neglected art of the German middle ages and Renaissance. He visits the towering cathedral of Cologne, a place which encapsulates the varied and often contradictory character of German art. In Munch he gets to grips with the earliest paintings of the Northern Renaissance, the woodcuts of Albrecht Durer and the cosmic visions of the painter Albrecht Altdorfer. Andrew also embarks on a tour of the Bavarian countryside, discovering some of the little-known treasures of German limewood sculpture.

This documentary series charting the visual appeal and historical meaning of maps. The Hereford Mappa Mundi, the largest intact Medieval wall map in the world, its ambition to picture all of human knowledge in a single image is breathtaking. The work of a team of artists, the world it portrays is overflowing with life, featuring Classical and Biblical history, contemporary buildings and events, animals and plants from across the globe, and the infamous 'monstrous races' which were believed to inhabit the remotest corners of the Earth.

This is the story of three maps, three 'visions' of London over three centuries. The Morgan Map of 1682 was the first to show the whole of the City of London after the Great Fire of London. In 1746 John Rocque produced at the time the most detailed map ever made of London. Like Morgan's, Rocque's map is all neo-Classical beauty and clinical precision, but the London it represented had become the opposite. In engravings of the time, such as Night, the artist William Hogarth shows a city boiling with vice and corruption. Stephen Walter's contemporary image, The Island, plays with notions of cartographic order and respectability. His extraordinary London map looks at first glance to be just as precise and ordered as his hero Rocque's but, looking closer, it includes 21st century markings such as 'favourite kebab vans' and sites of 'personal heartbreak'.

The series concludes by delving into the world of satirical maps. How did maps take on a new form, not as geographical tools, but as devices for humour, satire or storytelling? Graphic Artist Fred Rose perfectly captured the public mood in 1880 with his General Election maps featuring Gladstone and Disraeli, using the maps to comment upon crucial election issues still familiar to us today. Technology was on the satirist's side with the advent of high-speed printing allowing for larger runs at lower cost. In 1877, when Rose produced his 'Serio Comic Map of Europe at War', maps began to take on a new direction and form, reflecting a changing world. Rose's map exploited these possibilities to the full using a combination of creatures and human figures to represent each European nation. The personification of Russia as a grotesque-looking octopus, extending its tentacles around the surrounding nations, perfectly symbolised the threat the country posed to its neighbours.