Documentary AreaSimply the best Documentaries

In the days of the Mayas, cenotes – deep, natural pits on the Yucatan peninsula - provided the only means of obtaining drinking water. But in the mythology of this advanced civilisation, these waterholes and caves were also the entrance to Xibalba – the underworld. All deceased were obliged to pass through Xibalba and wait there until they were called into heaven. It was a place in which one made sacrifices to the gods – objects of daily life, as well as bloody, human sacrifices. To this day, the relics of these acts are still in place preserved underwater for more than a thousand years. The entrance to the underworld begins at a dirty waterhole in the middle of the Mexican jungle overgrown and barely recognisable. But immediately after entry, a hall of breath-taking dimensions and beauty is revealed. As if they were sculptures, stalactites and stalagmites lend the underwater cave an almost sacred ambience. By now, one has succumbed to the fascination emanated by the world’s largest underwater cave system. We accompany four professional research divers to Yucatan – a team of specialists, able to squeeze their bodies through crevices and holes, barely larger than their bodies and who master dives that would push even the most experienced divers to their limits. With them, we penetrate worlds only a few people have ever ventured into. We encounter the remains of human victims, prehistoric fireplaces and primeval animal skeletons and undertake a dive, which takes us from the primeval forest to the open sea. We then enter Xibalba – the place of myths and the dead. In the days of the Mayas - a voyage of no return. Today, this is one of the greatest challenges one can face as a diver – the hidden world of the underwater caves of Yucatan – all filmed in 3D.

Richard Feynman is one of the most iconic, influential and inspiring scientists of the 20th century. He helped design the atomic bomb, solved the mystery of the Challenger Shuttle catastrophe and won a Nobel Prize. 25 years after his death - in his own words and those of his friends and family - this is the story of the most captivating communicator in the history of science.

Many consider it the greatest team ever assembled, in any sport. Yet even that description fails to give it proper credit for its impact. The original the Dream Team, the first U.S. Olympic team to include NBA stars was a phenomenon on and off the court. It mattered not that it dominated the Olympic competition. It won the gold medal at the 1992 Olympics in Barcelona, beating its eight opponents by an average of 44 points. What was important was that the Dream Team, gave fans a glimpse of basketball at its finest, and an entire world responded. The film is the definitive documentary of the historic 1992 USA Basketball team, featuring recent interviews with all 12 members, including Michael Jordan, Magic Johnson, Larry Bird, and Charles Barkley. Includes rare footage from USA Basketball's film library, and the untold story behind what has become part of basketball legend. Since 1992, basketball has exploded in popularity around the globe, rising to a place where it truly challenges soccer's status as the world's most popular sport. Much of that is due to the impact of the Dream Team, which attracted fans and followers wherever it went. "It was," said Coach Chuck Daly, "like Elvis and the Beatles put together. Traveling with the Dream Team was like traveling with 12 rock stars. That's all I can compare it to." And what a band it was. Start with three of the game's all-time greats: Michael Jordan, Magic Johnson and Larry Bird. Add the irrepressible Charles Barkley for a little spice, as well as seven more NBA All-Stars: centers David Robinson and Patrick Ewing, power forward Karl Malone, swingmen Scottie Pippen, Chris Mullin and Clyde Drexler and point guard John Stockton. Complete the roster with Christian Laettner, the best college player of 1991-92 and a future NBA All-Star. Opponents didn't have a chance, but they didn't care.

In the last episode, Iain discovers the remarkable impact of just one plant: grass. On the savannah of South Africa he sees how grass unleashed a firestorm to fight its greatest enemy, the forests. He shows how cutting your finger on a blade of grass shows us how it transformed life in the oceans. In Senegal, he meets the cleverest chimps in the world. And, in the ruins of the oldest temple on Earth, he tells the extraordinary story of how grass triggered human civilisation.

The filmmakers challenge former Indonesian death-squad leaders to reenact their mass-killings in whichever cinematic genres they wish, including classic Hollywood crime scenarios and lavish musical numbers. Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodeling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers.
Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie theatre tickets on the black market to death squad leaders. They helped the army kill more than one million alleged communists, ethnic Chinese, and intellectuals in less than a year. As the executioner for the most notorious death squad in his city, Anwar himself killed hundreds of people with his own hands.
The Act of Killing is about killers who have won, and the sort of society they have built. Unlike ageing Nazis or Rwandan génocidaires, Anwar and his friends have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries. The Act of Killing is a journey into the memories and imaginations of the perpetrators, offering insight into the minds of mass killers. And The Act of Killing is a nightmarish vision of a frighteningly banal culture of impunity in which killers can joke about crimes against humanity on television chat shows, and celebrate moral disaster with the ease and grace of a soft shoe dance number.

Can we find the Garden of Eden? Bible scholar Dr Francesca Stavrakopoulou thinks so. In the final episode of her series re-examining conventional readings of the Bible, she argues that the Garden of Eden has nothing to do with the origins of humanity, but is rather a story concealing dramatic events about a particular figure in a particular place, two and half thousand years ago. Marshalling compelling evidence from archaeology, Islam and the Bible text itself, she identifies and visits the exact site of Eden. It's a revolutionary theory which challenges some of the most cherished preconceptions about Eden in both Christianity and western culture.