The absorbingly cinematic Ascension explores the pursuit of the 'Chinese Dream.' This observational documentary presents a contemporary vision of China that prioritizes productivity and innovation above all. Behind all, the ideology used in China to acquire acquiescence from the lower class workers in the factories, restaurants, resorts, etc who are sold a dream of one day being able to join the elite classes if they work hard enough. Almost mesmerizing with its cinematography, akin to the dreams of consumerism and the narratives of wealth that are being sold to the underclass workers, the film nicely illustrates the Chinese economy of the present.
Marc-André Leclerc climbs alone, far from the limelight. On remote alpine faces, the free-spirited 23-year-old Canadian makes some of the boldest solo ascents in history. Yet, he draws scant attention. With no cameras, no rope, and no margin for error, Leclerc's approach is the essence of solo adventure. Nomadic and publicity shy, he doesn't own a phone or car, and is reluctant to let a film crew in on his pure vision of climbing. Filmmaker Peter Mortimer sets out to make a film about Leclerc but struggles to keep up with his elusive subject. Then, Leclerc embarks on a historic adventure in Patagonia that will redefine what is possible in solo climbing.
Can skyscrapers be made safer, more efficient, and livable in our rapidly growing cities? Skyscrapers are gleaming symbols of prestige, and an ingenious way to save space in dense urban areas. But as buildings rise ever higher, what are the risks of these architectural behemoths? Do we truly know how they will hold up in earthquakes, fires and wind? What have--or haven’t—we learned from past tragedies? But even as we devise ways to defend them against potential disasters, can we also make them more livable, interactive, and eco-friendly?
A team of intrepid palaeontologists recently discovered a lost world of dinosaurs in the unlikeliest of places — deep in the dark, snowy wilds of northern Alaska. Surprisingly, new findings indicates that dinosaurs thrived year-round and raised their young in frigid and dark conditions in the far north of the Arctic Circle. Rappelling down giant ice cliffs bordering the Colville River, the team wields chainsaws to extract fossils frozen into the permafrost. Newly found dinosaur tracks indicates that a wide variety of species once flourished there, including herds of duck-bills, horned herbivores, pterosaurs, a new type of velociraptor, and northern relatives of T-rex.
The films begins at the Maine Correctional Center where Jacinta, 26, and her mother Rosemary, 46, are incarcerated together, both recovering from drug addiction. As a child, Jacinta became entangled in her mother's world of drugs and crime and has followed her in and out of the system since she was a teenager. This time, as Jacinta is released from prison, she hopes to maintain her sobriety and reconnect with her own daughter, Caylynn, 10. Despite her desire to rebuild her life for her daughter, Jacinta continually struggles against the forces that first led to her addiction. With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.
This completed featured documentary series reveals long-buried information discovered during the filmmakers' seven-year investigation of a series of unsolved crimes, and the man suspected of being at its center – Robert Durst, scion of New York’s billionaire Durst family – and was made with his full cooperation. 'The Jinx' expose police files, key witnesses, never-before-seen footage, private prison recordings, and thousands of pages of formerly hidden documents. Directed and produced by Andrew Jarecki and produced and shot by Marc Smerling.
Almost mesmerizing with its cinematography, akin to the dreams of consumerism and the narratives of wealth that are being sold to the underclass workers, the film nicely illustrates the Chinese economy of the present.