Documentary AreaSimply the best Documentaries

Attenborough's journey continues in Canada's Rocky Mountains, where fossils document an explosion in animal diversity never seen before or since. Travelling from there to North Africa, the rainforests of Australia and the east coast of Scotland, Attenborough discovers how animals evolved to conquer not only the oceans but also the land and air. These remote and fascinating creatures are brought to life as never before with the help of cutting-edge scientific technology and photorealistic visual effects. From the first large predators to the first legs on land, these were creatures that evolved the traits and tools that allow all animals, including ourselves, to survive to this day.

Richard Dawkins explores what science can tell us about death. It's a journey that takes him from Hindu funeral pyres in India to genetics labs in New York.Dawkins brings together the latest neuroscience, evolutionary and genetic theory to examine why we crave life after death, why we evolved to age and how the human genome is something like real immortality - traits inherited from our distant ancestors that we pass on to future generations.

Experience the world from the viewpoint of animals themselves. From spellbinding wildlife spectacle to intimate encounters, Planet Earth II takes you closer than ever before.
Remote islands offer sanctuary for some of the planet's strangest and rarest creatures. The rare pygmy three-toed sloth enjoys a peaceful existence on an idyllic Caribbean island, while nesting albatross thrive in predator-free isolation. But island life always comes at a cost. On the Galapagos Islands, young marine iguana must escape an onslaught of deadly racer snakes the moment they hatch from the sand. On the sub-Antarctic island of Zavodovski, life gets more extreme still. Every day, one and a half million penguins risk being battered against the rocks by fierce waves as they try to get on and off the island.

In this documentary we moved to Ancient Egypt to learn their vision of the world, life and death, gods and magic. For the ancient Egyptians, the Nile was the main connection between their lives and an infinite supply of provisions. But its waters hid an underworld of darkness and mystery for its first settlers. The Nile was one the spiritual paths that combined life and death, the real world and the underworld.

ln 1942 through an horrific process of trial and error these Nazis created something entirely new in History - killing factories capable of murdering millions. With the increase in killing at Auschwitz and nearby Treblinka, people are showing tremendous courage, like German officer Albert Battel risking his life to save detainees.

Painted over five centuries ago, Filippo Lippi's nativity is like none other: it shows the birth of Christ in a dark, wooded wilderness. There are no shepherds, kings, ox, ass – there is no Joseph. Its beauty inspired Michelangelo, Leonardo da Vinci and Botticelli. But it also conceals a deeply personal story. It was painted for Cosimo de Medici, a wealthy banker who feared that his money was dragging him straight to hell. The artist's life was equally surprising. One of the most celebrated painters of his day, Filippo Lippi was also a Carmelite friar, but he was no stranger to the temptations of the flesh, to which he frequently yielded. Shortly before painting his Adoration, he caused uproar by seducing a twenty year-old nun. His paintings rejoice not only in divine beauty, but in the beauty of women. In later times, the Adoration's history was interwoven with that of rulers and dictators. It became a bargaining chip after Napoleon's allies seized twenty merchant ships. And in the 20th century, it was hidden by the Nazis in a potassium mine, where specialist american officers, known as Monuments Men, stumbled upon it. they were now told to get it ready to be shipped out. In an unprecedented turn of events they refused. This is the only known case in the whole of the Second World War of American officers refusing an order. It was sent to the National Gallery of Art, but in 1949 Lippi's Adoration was returned to Germany.