When Mariska Hargitay was just three years old, her mother’s life was cut short in a devastating car crash. Decades later, she embarks on a profoundly personal journey to piece together the story of the woman behind the Hollywood legend. Through revealing interviews and an extraordinary archive of rare home movies and photographs, she confronts the myths and contradictions surrounding her mother’s image. As the layers peel back, a portrait emerges that is both glamorous and deeply human—a mother, a star, and a woman whose impact endures. This is an unflinching exploration of loss, legacy, and the longing to finally understand the person who shaped her life from afar.
In the shattered streets of Gaza, four young lives unfold with raw intensity and haunting contradictions. Ayman Alyazouri and his companions navigate the chaos of relentless airstrikes, makeshift shelters, and impossible choices—while holding fast to a worldview shaped by conflict and a fervent hatred they scarcely question. Their daily struggle to find safety and meaning is captured in unflinching detail, blending scripted scenes with documentary realism to reveal the emotional cost of generations raised in perpetual war. This gripping portrait invites viewers to witness an unsettling intimacy with those who dream not of peace, but of vengeance.
Julian Assange, the WikiLeaks founder, was arrested at Ecuador's embassy in London on April 11, 2019. He was cornered in a tiny building for seven years, with threatens to undermine the organization he leads and fracture the movement he inspired. Filmed over six years, Risk is a character study capturing his confinement. Director Laura Poitras finds herself caught between the motives and contradictions of Assange and his inner circle.
The films begins at the Maine Correctional Center where Jacinta, 26, and her mother Rosemary, 46, are incarcerated together, both recovering from drug addiction. As a child, Jacinta became entangled in her mother's world of drugs and crime and has followed her in and out of the system since she was a teenager. This time, as Jacinta is released from prison, she hopes to maintain her sobriety and reconnect with her own daughter, Caylynn, 10. Despite her desire to rebuild her life for her daughter, Jacinta continually struggles against the forces that first led to her addiction. With unparalleled access and a gripping vérité approach, director Jessica Earnshaw paints a deeply intimate portrait of mothers and daughters and the effects of trauma over generations.
Filmmaker and artist Yann Arthus-Bertrand spent 3 years collecting real-life emotional stories from more than 2,000 women and men in 60 countries. Those emotions, those tears and smiles, those struggles and those laughs are the ones uniting us all. A combination of testimonies and exclusive aerial images, HUMAN is a unique documentary. This sensitive experience is an introspection into whom we are today as a community but also and most importantly as an individual. Through wars, inequalities, discriminations, HUMAN confronts us with the realities and the diversity of our human conditions. Beyond this darker side, testimonies show the empathy and the solidarities which we are capable of. All these contradictions are ours and HUMAN leads us to reflect about the future we wish to give to people and the planet today.
The documentary deals with the future of conservation. It begins by looking at previous efforts. The 'Save The Whales' campaign, which started in the 1960s, is seen to have had a limited effect, as whaling continues and fish stocks also decline. In the 1990s, as head of the Kenya Wildlife Service, Richard Leakey took on the poachers by employing armed units. Although it was successful in saving elephants, the policy was detrimental to the Maasai people, who were forced from their land. The need for "fortress" areas is questioned, and the recently highlighted Raja Ampat coral reef in Indonesia is an example. The more tourism it generates, the greater the potential for damage — and inevitable coastal construction. Sustainable development is viewed as controversial, and one contributor perceives it to currently be a "contradiction in terms". Trophy hunting is also contentious. Those that support it argue that it generates wealth for local economies, while its opponents point to the reducing numbers of species such as the markhor. Ecotourism is shown to be beneficial, as it is in the interests of its providers to protect their environments. However, in some areas, such as the Borneo rainforests, the great diversity of species is being replaced by monocultures. The role of both religion and the media in conservation is argued to be extremely important. Contributors to the programme admit a degree of worry about the future, but also optimism.
Through revealing interviews and an extraordinary archive of rare home movies and photographs, she confronts the myths and contradictions surrounding her mother’s image. As the layers peel back, a portrait emerges that is both glamorous and deeply human—a mother, a star, and a woman whose impact endures. This is an unflinching exploration of loss, legacy, and the longing to finally understand the person who shaped her life from afar.