Documentary AreaSimply the best Documentaries

It tells the stories of six fathers separated from their children after a conflicting divorce and the difficulties to maintain the link with their children. Contains critical material regarding the functioning of the courts and alleges unequal treatment of the couples in conflict. The film had its premiere scheduled for 2014 but was suspended. The Argentinean judge Guillermo Blanch ordered producers to refrain from any transmission and / or retransmission of images or videos without the consent referrals of several people interviewed." The famous journalist and psychologist Liliana Hendel says in the documentary 'is difficult for a woman deviseth that she was beated, or their children, or that he does not give money or any form of violence'... 'the opposite of what usually happens, that any citizen is innocent until it is proven otherwise, I believe that in situations of domestic violence, cause the scale of the problem the burden of proof must be reversed. That is, if I say that he is guilty, he is guilty until proven innocent'. The Argentinean deputy Gladys González argue the documentary supports Parental Alienation Syndrome, a entity that does not exist and it has not been recognized by any health institution in the world, and with the deputy Cornelia Schmidt-Liermann signed a statement rejecting the SAP in the Chamber of Deputies

American paleontologist Pete Larson and his team discovered the largest and most complete Tyrannosaurus rex ever found (nicknamed 'Sue') while digging in the badlands of South Dakota. However the skeleton was seized from Larson by the federal government, followed by a ten-year-long battle with the FBI, the National Park Service, the Bureau of Indian Affairs, and Maurice Williams, on whose property the bones were discovered. Pete Larson also spent 18 months in prison." After the film aired, The Society of Vertebrate Paleontology, a society of professional academic paleontologists, issued a statement of full support for legally protecting fossils on public land and criticized Dinosaur 13 for implying that government regulations impede paleontological science

The magnificent ancient city of pyramids at Caral in Peru is a thousand years older than the earliest known civilisation in the Americas and, at 2,627 BC, is as old as the pyramids of Egypt. Many now believe it is the fabled missing link of archaeology - a 'mother city'. If so, then these extraordinary findings could finally answer one of the great questions of archaeology: why did humans become civilised?" For over a century, archaeologists have been searching for what they call a mother city. Civilisation began in only six areas of the world: Egypt, Mesopotamia, India, China, Peru and Central America. In each of these regions people moved from small family units to build cities of thousands of people. They crossed the historic divide, one of the great moments in human history. Why? To find the answer archaeologists needed to find a mother city - the first stage of city-building. Caral, is so much older than anything else in South America that it is a clear candidate to be the mother city. It also is in pristine condition. Nothing has been built on it at all. Instead laid out before the world is an elaborate complex of pyramids, temples, an amphitheatre and ordinary houses. Scientists developed a number of theories. Some said it was because of the development of trade, others that it was irrigation. Some even today believe it was all because of aliens. Gradually an uneasy consensus emerged. The key force common to all civilisations was warfare. Crucially, there is not the faintest trace of warfare at Caral; no battlements, no weapons, no mutilated bodies. Instead, Ruth's findings suggest it was a gentle society, built on commerce and pleasure. In one of the pyramids they uncovered beautiful flutes made from condor and pelican bones. They have also found evidence of a culture that took drugs and perhaps aphrodisiacs. Most stunning of all, they have found the remains of a baby, lovingly wrapped and buried with a precious necklace made of stone beads.

It was the defining moment of the 20th Century - the scientific, technological, military, and political gamble of the world's first atomic attack. This drama-documentary attempts to do what no other film has done before - to show what it is like to live through a nuclear explosion, millisecond by millisecond. Set in the three weeks from the first test explosion in New Mexico to the eventual dropping of the bomb, the action takes viewers into the room where the crucial political decisions are made; on board the Enola Gay on her fateful voyage; inside the bomb as it explodes; and on the streets of Hiroshima when disaster strikes. Parallel storylines interweave, unfolding the action from both US and Japanese perspectives, and revealing the tensions and conflicts in the actions and minds of people who were making history. Special effects recreate the reality of the mission - even going inside the workings of the bomb - and archive film replays the horrific aftermath.

D-Day: As It Happens D-Day: As It Happens tells the story of this pivotal event in 20th-century history in a completely new way. Using newly-analysed archive footage, viewers can track the progress of seven people who were there on the day, each of them a real participant in the 1944 invasion. And they can do so moment by moment in real time, encountering the twists and turns of the fighting at the same time as the D-Day seven did, and learning their fate as the action unfolds in parallel with the present, Narrated by Peter Snow, with Channel 4 presenter and former marine Arthur Williams, and experts including former British Army officer Colonel Tim Collins and front-line journalist Lorna Ward. The first programme tells the back stories of the real people that the event is following in real time and sets out their missions over the following 24 hours. The D-Day seven include a paratrooper, a midget submariner, a nurse and a military cameraman.

Andrew Graham-Dixon begins his exploration of German art by looking at the rich and often neglected art of the German middle ages and Renaissance. He visits the towering cathedral of Cologne, a place which encapsulates the varied and often contradictory character of German art. In Munch he gets to grips with the earliest paintings of the Northern Renaissance, the woodcuts of Albrecht Durer and the cosmic visions of the painter Albrecht Altdorfer. Andrew also embarks on a tour of the Bavarian countryside, discovering some of the little-known treasures of German limewood sculpture.